The show at Fremantle’s PS Art Space features new contemporary works by five established local female artists – Jo Darbyshire, Lucille Martin, Rebecca Paterson, Dr Toni Wilkinson and Ashe.
The curator wanted to bring together women who had a genuine interest in surrealism and how it had affected or influenced their practice. Like the work of the surrealists, the ensuing pieces form a multi-disciplinary show including film projection, sound, installation, photo-media and visual art.
“The male surrealists had women as their muses. The female surrealists enjoyed the fact that they were women who were strong and independent with something to say,” continues Ashe. “They worked differently to the men and their kind of feminism has an interesting strength and visionary way of looking at the world.
“Now we’re in an unprecedented time in history and as women, artists and members of the community, it’s a chance to say something new and different. That’s kind of where our collective heads were at in making the work for this exhibition. In surrealist tradition, it explores the meeting points of the real and the imagined and the threshold space where the sacred, hidden and uncanny, meets with the rational, mundane and earthly.” Made possible by funding from the Department of Local Government, Sport and Cultural Industries, Ashe says the work really is a wonderful response to what the artists have been going through in a world in crisis. The pieces throw up varying expressions on the theme, from exploring inner thoughts and emotions to exposing the yin as an incredible source of strength without sacrificing softness. The latter, Ashe says is much needed at the moment. “I hope people come away from this seeing that as a valid path; fishing for strength in the softness and being able to impart that to the next generation of women.” Although known primarily for her paintings, for this show Jo Darbyshire chose to create one large mixed media piece called PELT. Measuring 6 by 1.8 metres, from a distance the oval-shaped piece looks like a painting but on moving closer is revealed to be comprised of thousands of found feathers, almost all of them from Western Australia. Darbyshire had collected them after putting a call out through social media networks. As surrealist art often uses found and everyday objects in assemblage, she decided they would be perfect for her piece. When you get up close, expect to see feathers from owls, magpies, crows, lorikeets, seabirds, ducks, bush turkeys and even a peacock. “The way I responded to Kelsey’s thematic idea was about breaking and overcoming earth-bound barriers and the feathers were perfect to express that,” says Darbyshire. “I liked playing with the visual illusion of it, looking like a painting and when you get close you realise it’s not and it might even be moving a little bit. The idea of freedom is something we must fight for and the fact that it was made during COVID added another element. At the moment, birds are about the only ones flying freely through borders.” As she hand-fixed the feathers to the six custom-made panels which make up the piece, the artist had the opportunity to appreciate each feather. “I noticed how each one is beautiful in its own way. I love that even though they are fixed down, they are still flexible. Plus working with organic objects has a certain tangible presence of the wild and untamed.” Presented by Dark Swan Exhibitions, “Imaginary Territories” is presented at PS Art Space in Fremantle from 17 October – 14 November. Pictured top, left to right, are exhibiting artists Lucille Martin, Jo Darbyshire, Dr Kelsey Ashe, Rebecca Paterson (Dr Toni Wilkinson not pictured).